The tripod's really important, correct, yeah. ![]() Hem, tried to make them not move their heads, they laughed a few times, I used some of those frames for the smiles and we're just gonna give this a shot, so these might not always go perfectly, so I'm gonna take two of these and then we'll see what that workflow looks like inside of After Effects, so. We took a look at Dave and Catherine's cinemagraph earlier today, where I took them on the pier, I did the same thing, I counted to 10 for t. What we're gonna do is, thank you Joe, by the way, Joe's gonna be our model and what we're gonna do is turn on a fan, we're gonna blow Joe's hair, we have him against a green screen, and what I'm gonna do is I'm going to set the camera up, I'm gonna frame him, so I can see all of his hair moving and his entire shape inside of the green screen and I'm gonna count for him, I want him to stay as still as he can for about five or six seconds, I want him not to move his head, but I'll ask him to smile a few times and what I'm doing is I'm trying to get enough motion in the hair, so we can pick a good looping point, like we've been doing throughout the first segment and use the green screen and After Effects to key him out and put him a couple of places around the country, around the world actually and I just wanna show you what that process looks like.
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